A Case Study of the Past, Present and Future of the Sesath Industry of Unaveruwa

Abstract

Handicrafts represent a unique aspect of art in Asian cultures. They are a living cultural heritage that still continues in today's society. Handicrafts that use natural raw materials and simple techniques are excellent in quality and decoration as an end product. Sesath is one such traditional product in our country. At present, the traditional practice of Sesath making this is limited to only one region in Sri Lanka. Research problem is "What are the challenges to the continuity of Sesath industry in Unaveruwa?" Therefore, the aim of this study is to study the current nature of the traditional Sesath industry and the challenges faced by the industry in its continuity. The study area is Unaveruwa village in the Matale district. Interviews were conducted with 20 artisans and obtained information through field observations. Among the results of the study, Sesath has become a consumer product of the upper class of society in Sri Lanka. It was confirmed that the traditional Sesath industry in Unaveruwa is dying out. In the past, the youth have also shown interest in learning about the industry. There was no gender difference in Sesath making and the youth assisted the older artisans. In this way, the traditional knowledge of Sesath making passed to the next generation. But at present, the youth no longer assist the older artisans. The continuity of this traditional craft industry is seriously threatened due to the inability to purchase graphite, the main raw material, the lack of interest of the youth to join and continue this craft industry and not having a market for the products. Unaveruwa is located between two world heritage cities of Anuradhapura and Kandy. Sigiriya, a well-known World Heritage site, is located in Matale district. However, there are no initiatives in Unaveruwa to attract these tourists and sell their products to the tourists and local visitors. It would be beneficial to implement such programmes with government support to protect this traditional craft technology. Furthermore, it is suggested to encourage undergraduates who are studying archeology and fine arts to learn about such a dying tradition in order to preserve as an intangible cultural heritage in Sri Lanka.