The Influence of Subaltern Status on Celestinahami’s Fatalistic Suicide in Leonard Woolf’s “A Tale Told by Moonlight”

Authors

  • Hasintha Munasinghe Department of English and Linguistics, University of Sri Jayewardenepura
  • Amani Nilar Department of English and Linguistics, University of Sri Jayewardenepura
  • Venuri Wedage Department of English and Linguistics, University of Sri Jayewardenepura
  • Dinithi Akarshana Rathnayake1 Department of English and Linguistics, University of Sri Jayewardenepura
  • Sawbhagya Perera Department of English and Linguistics, University of Sri Jayewardenepura
  • Hiruka Aththanayake Department of English and Linguistics, University of Sri Jayewardenepura
  • Chirta Jayathilake Department of English and Linguistics, University of Sri Jayewardenepura

DOI:

https://doi.org/10.31357/vidudaya.v3i02.8481

Keywords:

Suicide, Pre-independence Sri Lanka, Mysticism, Emile Durkheim, Sri Lankan Literature

Abstract

This position paper explores the suicide of Celestinahamy in Leonard Woolf’s "A Tale Told by Moonlight," contextualising it as a fatalistic suicide as defined by Emile Durkheim. Fatalistic suicide occurs due to extreme societal regulation and oppression, which Celestinahamy, a former sex worker in colonial Ceylon, experiences intensely. The analysis employs suicidological and postcolonial theories to explore how Celestinahamy's subaltern status, characterized by exotification, romanticization, selective representation, dehumanization, and stereotyping, drives her to suicide. Leonard Woolf's narrative, influenced by his colonial experience, portrays Celestinahamy's tragic life and ultimate despair. The paper also argues that her inability to resist the oppressive colonial structures and her misrepresentation as an exotic 'other' led to her fatalistic suicide, echoing Durkheim's theory and highlighting the dire consequences of subaltern suppression and marginalization.

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Published

2025-07-22